If you’re looking for something slightly different then Chotto Ookii’s Sweet is 
an entertaining ‘anti-romcom’ that fulfils this brief perfectly. In stark contrast to the world of fairytales and happy endings commonplace in romantic comedy, Sweet displays the bitter consequences of love, revealing it as unsustainable and “too sweet”.
However, the journey that the characters embark on as they are transported from the mundane and monotonous routine of their everyday lives to the flowery world of romance is a heart warming and comical journey that successfully makes the audience leave with a smile, despite the lack of a happy ending.
The play utilises aspects of physical theatre, puppetry, dance, music and comedy which culminates in a lively and visually stimulating production with something on offer for everyone. Furthermore, the variety of techniques employed means that the play contains limited dialogue which suggesting that actions speak louder than words, as the main character comes to learn.
The lack of dialogue becomes frustrating at times, however, as the storyline is slow to start and ambiguous. Despite this, the vast array of theatrical techniques employed by the three man cast are beautifully executed and full of enthusiasm, captivating the audience and cultivating an attachment to the endearing, loveable (but sometimes sinister) characters. This is enhanced by the simplistic, multi-purpose set and intimate setting which draws the audience into the action. However, the set does indicate that the production was made on a small budget, precariously held together and somewhat tatty around the edges. Though this only adds to the play’s charm.
Sweet is an innovative, enchanting and visually exciting production. However, due to its highly abstract nature, like Marmite, you will either love it or hate it.
Add Your Thoughts